Over the last decade inappropriate image manipulations have become a serious concern in a variety of sectors of society, such as in the news, in politics or the entertainment sector. Digital image editing programs are nowadays very powerful and constantly change how we produce and understand images. In academia images play a very important role and due to a number of fraud incidents image manipulation gained more and more attention.
Given the number of scientific papers that contain problematic images (without necessarily representing fraudulent intend) and the fact that many retractions happen due to the inappropriate use of images there is definitely a need to take effective measures against inappropriate manipulations. But this is far easier said than done, since often is not trivial to
However, this is the first of a series of blog posts that deal with the simple question of how image manipulations can be detected. The field of research that is occupied with the detection of image manipulation is called ‘image forensics’. Forensic experts analyze whether there is evidence that makes an image suspicious and they gather all the clues that can possibly be found in order to make informed judgments about the appropriateness of the image. This can include aspects like compression, meta data, or lighting. It can be executed through mere observation or by applying suitable algorithms. Forensic analysis plays a practical role for insurance companies, in crime investigations and all thinkable fields in which images possess evidential value.
There are a number of free online resources available on the web that promise to support image analysis. Collections of forensic tools are available at https://29a.ch/photo-forensics.com; http://fotoforensics.com; or at http://www.getghiro.org/ to only name a few.
One tool that all of these collections include is “Error Level Analysis” (hereinafter: ELA). Jonas Wagner, the developer of “Forensically” explains the tool on his web site as follows:
“This tool compares the original image to a recompressed version. This can make manipulated regions stand out in various ways. For example they can be darker or brighter than similar regions which have not been manipulated.“ (https://29a.ch/photo-forensics/#help)
The tool is designed to identify those areas within an image that are on a different compression level. When manipulations have been carried out on a JPEG image (e.g. with elements added or removed) the ELA analysis tool is expected to identify and mark all of the manipulated regions, since the resave of the image puts the original image and the added element on different compression levels.
Let us now see how this works out in practice:
Below you see the unaltered (but downsized) version of a random snapshot I took last summer near the river Elbe in Saxony, Germany, with a Sony Alpha 6000 Camera:
This is the ELA analysis result of the digital image using the free online resource “Forensically”:
The image appears consistently dark with only a few regions standing slightly out because of the original lighting. The edges of the objects appear a little lighter than the rest of the image and in some areas they show a little violet touch, while the sun appears as a black uniform stain. I then uploaded the original image to Adobe Photoshop and added and changed a number of features in the picture. For example I included a PNG of the moon and duplicated it on the upper left side of the image. Moreover, I inserted a swarm of birds and removed some disturbing stains from the glass in the foreground with the Photoshop erasure tool and, last not least I copied the flower from the milk can and duplicated it (see images below).
1) Added and duplicated moon on different saturation levels:
2) Added birds:
3) Removed stains (you can clearly see the round marks of the erasure tool):
4) Copied and pasted flowers on the milk carton
This is how the resulting image looks like:
Note: I did intentionally not alter any of the standard settings, like contrast or brightness over the entire image, since ELA results could be affected.
After I carried out these rather basic manipulations I saved the image from Photoshop as JPEG and uploaded the image to “Forensically” to analyze it with the ELA tool (the tool only allows the analysis of JPEG and TIFF images). This is how the result of the ELA analysis looks like:
Here are some details:
Moon area: Clearly visible. It is noteworthy that the ELA analysis tool shows all 5 objects highlighted uniformly and does not represent the different saturation levels.
Added birds: The highlighting is clearly recognizable.
Flower area: Edges appear almost like the edges of unaltered objects in the photo. The highlighting of the copied and pasted objects is not clearly distinguishable from other structures in the image. In other words, if I did not know about the manipulation I would not have recognized it.
Removed stains on the glass: The area appears almost like the unaltered version. From the ELA analysis, traces of the erasure tool are not recognizable.
This short experiment showed some of the strong and some of the weak sides of the ELA analysis tool. The tool clearly identified elements that were introduced to the picture after a single resave. (Any further resave would decrease the quality of the JPEG and consequently influence the ELA result.). ELA did not reveal other manipulations like the copying of the flower element or the removing of stains on the glass, which definitely limits the usefulness of the tool. However, since ELA at least allowed to identify some of the manipulations it can be recommended as one possible tool to start with when analyzing images. Still, the user should be aware that regions which stand out do not necessarily imply manipulation. Jonas Wagner points out in the help section of “Forensically”: “The results of this tool can be misleading (…)”.
Another aspect that must be mentioned is that it requires a good bit of experience before you get results. The levels are not self-explanatory and interpreting the ELA results definitely requires some visual training (as well as reading through tutorials). One interesting insight I gained from working with this tool is that whenever a JPEG is uploaded to Photoshop it acquires a characteristic “rainbow effect” which can better be observed with the levels slightly altered, like in the example below (JPEG Quality 90, Error Scale 53, Magnifier Enhancement: None, Opacity at 0.64).
The characteristic rainbow effect that reveals an image has been uploaded to Photoshop (or another Adobe Product):
In sum, Error Level Analysis opens the mind of the user for a more systematic evaluation of what is visible and what can be hidden in a picture. It helps revealing some of the hidden features, but is definitely not a tool that can stand for itself or that produces all-inclusive forensic results for the uninitiated user.
More tools will be evaluated soon – please visit headt.eu for upcoming posts.
HEADT Centre 2017